16. Mai 2018, DerBlödeDritteMittwoch #76
20h30 @rhiz Wien, U-Bahnbogen 37, 1080 Wien

Dávid Somló & Imre Vass (H): D R O H N E T A N Z [tanz/performance]
Karoujite: Seijiro Murayama (J) & Cristián Alvear (CL) [konzert]
Zier&Gier (A): Alex Kranabetter – big sky trumpet
 / Jakob Gnigler – granularsax
 / Bernhard Geigl – nord wave [konzert]

Dávid Somló & Imre Vass
DROHNETANZ
Drone (noun)
1. Male bee
2. Continuous sound
3. Plane without a pilot

DROHNETANZ is based on the complementary contrast of continuity and fragmentation, structured and unstructured time, afro disco and fluctuating drone music. A never-stopping flow of movement and music which gains its energy from the constant dialogue of the two mediums. It is an immersive environment that with all of its components leads towards a common state. DROHNETANZ is a wiggle. The piece is a conceptual continuation of the duo’s previous performance It comes, it goes, which explored extreme repetition.


Zier&Gier
Die Erforschung der Luft, oder so könnte es heißen. Oder aber auch „Mikrokosmos“, aber den Titel hat sich ja der alte Bartok schon unter den Nagel gerissen. Wurscht, es ist eben schon so eine Art; weniger ist mehr. Und Zier (mehr) und Gier (weniger) macht eben so Sachen wie:

Ab- und Zuluftsgeschichten
von Klangspaltung und Alchemie,
Luftschlachten und Haarspalterei.
Zier und Gier zerlegt;
Musik wird,
was sie nicht sei.


Bernhard Geigl – nord wave

Alex Kranabetter – big sky trumpet

Jakob Gnigler – granularsax
https://soundcloud.com/jakobgnigler
jakobgnigler.com

Karoujite
is a duo project between Seijiro Murayama and Cristián Alvear based on the idea of iteration and the occurring processes of change: what is iterated transforms and develops itself, highlighting the agency of human action: which gets tired, which does not really repeat, which never seems to produce the sound​ ​in​ ​the​ ​same​ ​way.

In​ ​October​ ​2016,​ ​in​ ​Mishima,​ ​Japan,​ ​the​ ​first​ ​output​ ​of​ ​the​ ​project​ ​was​ ​recorded.​ ​​ ​In​ ​2017,​ ​this​ ​recording​ ​was​ ​published​ ​in​ ​the​ ​Paris​ ​based​ ​label,​ ​Potlatch.


Seijiro Murayama
“by using percussive or vocal elements, i try creating sounds to go towards silence or something that could be called ‘music’. i improvise and compose also. i am interested in improvisation in a ‘broad’ sense.”
http://urojiise.wixsite.com/seijiromurayama

Cristián Alvear, músico chileno, nacido en 1979 en la ciudad de Osorno, dedicado al estreno, interpretación y grabación de música experimental y contemporánea. Es co-curador de Relincha Festival en Valdivia y, junto a Santiago Astaburuaga, dirige LOTE, ensamble enfocado en la realización de partituras experimentales. Desde el 2000 hasta la fecha ha realizado conciertos y recitales en salas y festivales de Chile, Suiza, Japón, Taiwán, Corea del Sur, Francia, Polonia, México, Uruguay e Inglaterra. Su trabajo ha sido publicado en sellos especializados de Alemania, Estados Unidos, Inglaterra, Francia, México, Canadá y Austria. Actualmente cursa el Magíster en Interpretación dictado por el DMus de la Universidad de Chile.
http://www.cristianalvear.com/p/home.html