OWL [concert] Karl Bjorå (NO) – Guitar & electronics
Signe Emmeluth (DK) – Alto saxophone & electronics
HOW TO DISAPPEAR [film] By Total Refusal (Robin Klengel, Leonhard Müllner, Michael Stumpf)
up ovo [concert] Alexander Yannilos – drums Robert Pockfuß – guitar
OWL – Foto © Arnold Haberl
Karl Bjorå (NO) – Guitar & electronics
Signe Emmeluth (DK) – Alto saxophone & electronics
In a cinematic room in which the sounds seem to be moving around inside your head, an uncertainty about where the sounds are coming from occurs.
The freely improvising duo Owl organically blends the acoustic sounds from the alto saxophone with the electric sounds from the electric guitar, contact microphones, and other electronics. Their free play with preparations as well as the sense of room and depth display the duo’s influences by noise, minimalism and free improvisation.
The Danish-Norwegian duo OWL released their debut album Mille Feuille on the acclaimed label SOFA MUSIC on the 13th of September 2019.
SoundCloud: https://soundcloud.com/owl-norway/sets/december-session
YouTube:https://www.youtube.com/watch?v=GLnqV7JzPmU&frags=pl%2Cwn
https://youtu.be/7Pho6bqajXg?t=5
How to Disappear
By Total Refusal (Robin Klengel, Leonhard Müllner, Michael Stumpf)
How to Disappear is an anti-war movie in the true sense of the word, searching for possibilities for peace in the most unlikely place of an online war game. It’s a tribute to disobedience and desertion – in both digital and physical-real warfare. Shot in the picturesque war landscapes of “Battlefield V”, the hyperreal graphics become the backdrop for an essay-like narrative. The film revolves around the history of deserters – a part of human history, which has hardly been illuminated. Performances and creative interventions explore the scopes and limits of the audiovisual entertainment machine.
AT / 2020, 21 min, distribution: Lemonade Films
https://adinacamhy.at/?portfolio=how-to-disappear-2020
UP OVO – Foto credit : David Visnjic / Judith Stehlik
Alexander Yannilos – drums
Robert Pockfuß – guitar
Boiling up broken industrial beats and dissolving them into Death Gripsesque hybrid dance ballads in a heartbeat.
On-the-fly [de]construction of noisy quasi-pop songs.
